I dance in the liminal space between movement and sound creation
.
Through Thresholds
I move between states—between movement and vibration, perception and resonance.
My work doesn’t seek to explain, but to be felt:
a shift in pressure,
a flicker of light,
a frequency caught just beneath the skin.
Tickling the imagination of the audience
Practice as Transformation
Over three decades, I’ve inhabited many forms—
dancer, choreographer, advisor, teacher, maker.
Each role has left its echo,
but what remains is a practice of becoming.
A choreography that listens,
a sound that breathes,
a body that vibrates
BeingSonic: A Method of Embodied Listening
BeingSonic is the method I’ve developed for exploring the dialogue between sound and body.
Not a technique—
a shared field of attention.
Rooted in electronic music structures,
it invites intuitive response, sensory immersion, and a playful rigor.
Workshops become laboratories of listening.
Improvisation becomes composition.
The body becomes score.
Sound is Not Accompaniment
It is co-creator and performer.
It provokes, disorients, invites.
Whether through the theremin, contact microphones, or digital synthesis,
I explore the body as both instrument and musician—
each movement shaping a soundscape,
each sound sculpting a new form of presence.
To Choreograph is to Question
Each project begins with playful curiosity— a sound, a sensation.
A reflection. A rhythm.
A need to connect fragments into a porous image: sound and body, light and shadow, inner and outer.
To choreograph is also to question what choreography itself can be.
My work moves fluidly between shapes.
At times a live performance, at others an interactive dance game, a video, a musical composition…
Always a dialogue with the imagination and sensitivity of the audience.
I create to move people— in and out of their skin.